‘Grave’ a Fast-Paced Horror Where Anything Goes
This isn’t a polyphonic novel, nor is it one grappling with morally gray characters. This is a story of humans good, monsters bad, and the fate of the world hangs in the balance. Carry Me To My Grave doesn’t try to do anything more or less than this, and it does it well.
‘Race’ A Nail-Biting Cross-Country Roadtrip
The Hardest, Longest Race at its core is about the struggle between the past and the future, between what’s true and what gets remembered.
Half-Broken a Near-Future Tale of Hope
In the acknowledgements, Suzanne Palmer calls Ode to the Half-Broken a book with grief threaded throughout every page. But for a book about grief, it brings a hopeful message that’s sorely needed.
‘Rachel West’ a Starstruck Mystery
Rachel West is a rare murder mystery that holds interest but doesn’t demand a reader’s heart rate spike as they fly through pages.
‘Boomtown’ Juggles Loads of Stories
Pappalardo took on quite a project in trying to tell the story of Borger’s hectic year, particularly his dedication to weaving together so many threads rather than focusing on a single character or sector.
‘Japanese Gothic’ Bloody and Tender
Baker’s pacing is quick enough, and the story compelling enough to keep the violence and characters’ hopelessness from bleeding too heavily into the reader.
‘Yesteryear’ Delves into Tradwife Life
In delving into her main character’s psyche, Caro Claire Burke walks a fine line between psychological exploration and parody, but manages that balance well.
Family, Laws of Universe Clash in ‘Folding Space’
In a story about bending, or breaking, the laws of the universe, you still can’t escape squabbling with your big sister.
‘Forest’ a Rallying Cry for Conservation
When the Forest Breathes is an important book detailing important work. It just also happened to be a very depressing book. But then, that seems less the fault of the trees than the state of the world we’re inflicted with.
‘Only One’ a Swift and Sharp Thriller
It can be daunting to let characters be messy, especially those whose eyes we borrow to experience the story, but Matlin does so with confidence.
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