‘Velvet Was the Night’ a Sizzling Noir

Silvia Moreno-Garcia’s been at it for over six years, but I’m ashamed to admit she didn’t even appear on my radar until 2019’s Gods of Jade and Shadow (a historical fantasy) appeared on NPR’s Book Concierge. She got some well-deserved attention last year from readers and reviewers big and small with the release of MexicanContinue reading “‘Velvet Was the Night’ a Sizzling Noir”

From Tropes to Teen Survivors, ‘Final Girl’ Nods to Slashers

The happy ending of many horror movies, especially slashers, is that the one last main character (usually teen, female, conventionally attractive) walks away bruised and bloodied but alive while the killer dies a horrifically fitting death, often at the hands of the survivor. This happens so frequently, this character trope has a name: the finalContinue reading “From Tropes to Teen Survivors, ‘Final Girl’ Nods to Slashers”

Restraint Helps ‘Killers’ Avoid Exploitation

There are a few key ingredients to many a good thriller: domestic intrigue, large sums of money, poison, explosions, conspiracies, a sympathetic victim at the center, and a dedicated investigator determined to get to the bottom of it all. And a good twist or two. Can’t forget the twists. David Grann’s Killers of the Flower MoonContinue reading “Restraint Helps ‘Killers’ Avoid Exploitation”

‘The Golden Age’ Glitters

I have waxed long about my pure and ardent love of graphic novels, about the interplay between picture and words creates a new depth to storytelling and how seeing multiple interpretations of the narrative on the page prompts me to be more engaged in my own reading of it. I make no apologies for suchContinue reading “‘The Golden Age’ Glitters”

‘Halfway’ Hits Home with Prison Discourse

Crime and poverty are so frequently lumped together, as are race and crime, making a sort of trifecta of bad circumstances that can really hold a person back—or worse, as we’ve seen with so many cases of police violence. But it’s worse than that, argues Reuben Jonathan Miller in his new book Halfway Home: notContinue reading “‘Halfway’ Hits Home with Prison Discourse”

Get ‘Lost’ in These Four Cities

According to the U.S. Census, over 80% of the country’s population lives in urban areas—and it’s even higher for Puerto Rico and other territories, where urban living is well over 90%. It didn’t always used to be this way, but the world is marching toward a far more urban future than our ancestors could haveContinue reading “Get ‘Lost’ in These Four Cities”

‘Iraq + 100’ Gives Unique View of Future

For longer than I’ve been alive, Iraq has been either at or adjacent to war. In fact, writes editor Hassan Blasim in the introduction to Iraq + 100, “Iraq has not tasted peace, freedom, or stability since the first British invasion of the country in 1914.” A century of war makes it hard to imagineContinue reading “‘Iraq + 100’ Gives Unique View of Future”

‘Felon’ Doesn’t Disappoint

If there’s one thing this pandemic has given me (besides diminished social skills and a lot of loaves of failed sourdough), it’s an increased appreciation and appetite for poetry. Just before everything shut down, I picked up Joyce Sutphen’s Carrying Water to the Field and was enchanted; that enchantment has led me to discover Tracy K.Continue reading “‘Felon’ Doesn’t Disappoint”

‘Two Truths’ Questions Fact and Fiction

I take in a lot of crime-related media. Hours of podcasts, stacks of true-crime novels, loads of documentaries, and although maturity and a growing awareness of current events has curbed my appetite for police procedurals, I still watch a lot of crime TV. All of which is to say I feel that I’m somewhat ofContinue reading “‘Two Truths’ Questions Fact and Fiction”

‘Women’ is Enraging, but in a Good Way

I had a hard time writing this review. Not because I can’t think of much to say about Caroline Criado Perez’s Invisible Women: Data Bias in a World Built for Men—just the opposite. As I’ve read it over the last couple of weeks, I’ve hardly been able to shut up about it. But it’s notContinue reading “‘Women’ is Enraging, but in a Good Way”