Reviews – Ring Reads

‘Hollow’ Full of Twists and Wise Restraint

Sullivan threads several tricky needles well in Brimstone Hollow, and that restraint helps her plot and characters shine.

‘Under the Falls’ Sticks to the Shallows

The cover to Richard Russo's Under the Falls has the author and title superimposed on an overhead photograph of a teenage boy in blue swim trunks diving backwards into water from a rocky bluff while other teens, also in swimming gear, crouch nearby.

Under the Falls sets up complex relationships, old hurts, clashing motivations, and a town full of secrets but doesn’t give them time to live up to the potential that’s well within Richard Russo’s wheelhouse.

‘Plant Lady’ Has Fun With Revenge

The cover of Plant Lady, featuring an illustration of a young woman with dark hair and wearing a green gardening apron over her white shirt and gray pants. She stands beside a shelf of plants and the title. She is holding a pair of scissors that are dripping blood onto her yellow boots.

There’s a lot to love about Plant Lady, not least of which is the tempered delight the book takes with its kills, but the straightforward fun means missed opportunity for deeper exploration of complex subject matter.

‘Flower’ a Gripping, Sobering History

While the prose and structure is a nice read, there’s no making this subject matter go down easy. But then, forced family separation, rampant human rights violations, and elusive justice should never go down easy.

‘Grave’ a Fast-Paced Horror Where Anything Goes

The cover of Carry Me To My Grave, featuring an overhead view of a train passing through dense forest. The smoke from the train makes a large cloud that looks like a skull.

This isn’t a polyphonic novel, nor is it one grappling with morally gray characters. This is a story of humans good, monsters bad, and the fate of the world hangs in the balance. Carry Me To My Grave doesn’t try to do anything more or less than this, and it does it well.

‘Race’ A Nail-Biting Cross-Country Roadtrip

The cover for Eric Moskowitz's debut, The Longest Hardest Race, featuring a colorized picture of two early Ford Model-Ts racing down a dirt road. The portrait of a fairly young Henry Ford is superimposed just beneath the title.

The Hardest, Longest Race at its core is about the struggle between the past and the future, between what’s true and what gets remembered.

Half-Broken a Near-Future Tale of Hope

The cover of Ode to the Half-Broken, featuring a humanoid mech looking down at a cyborg dog while crumbling buildings tower above them both.

In the acknowledgements, Suzanne Palmer calls Ode to the Half-Broken a book with grief threaded throughout every page. But for a book about grief, it brings a hopeful message that’s sorely needed.

‘Rachel West’ a Starstruck Mystery

The cover of Rachel West and the Fallen Starlet by Emma Mills, featuring a hot-pink flip phone against a bright blue background. The phone has skull and ribbon-bow charms.

Rachel West is a rare murder mystery that holds interest but doesn’t demand a reader’s heart rate spike as they fly through pages.

‘Boomtown’ Juggles Loads of Stories

The cover of Joe Pappalardo's Boomtown, featuring an illustrated flame over a sepia-toned photo of crashed 1920s-era cars on a dirt city street.

Pappalardo took on quite a project in trying to tell the story of Borger’s hectic year, particularly his dedication to weaving together so many threads rather than focusing on a single character or sector.

‘Japanese Gothic’ Bloody and Tender

The cover of Japanese Gothic, featuring a Japanese-style watercolor of a house surrounded by foliage, all in dripping black and red.

Baker’s pacing is quick enough, and the story compelling enough to keep the violence and characters’ hopelessness from bleeding too heavily into the reader.