‘Rising’ Tension Drives ‘Malibu’

All happy families are alike, as Tolstoy says, but that’s not the case in Malibu Rising, which follows a quartet of super-close siblings who would probably describe themselves as a happy family—even if poverty, fame, and necessity have made their version of happiness looks a little more complicated than most. Nina Riva, a 25-year-old modelContinue reading “‘Rising’ Tension Drives ‘Malibu’”

‘Quiet’ has Good ‘Bones’ but Problems, too

I’ve expressed feelings about unreliable narrators before, but each new book using it seems to change my opinion just a little—usually for good but sometimes for bad. Unreliable narrators can be a huge boon or bust for a thriller. I’ve thought about it for a while now, and I’m not sure which the unreliable narratorContinue reading “‘Quiet’ has Good ‘Bones’ but Problems, too”

Character Goes Deep in ‘Luminous Dead’

I love the Nathan Pyle comic about reading. The simple four-panel comic really nails the immersive reader experience. Sometimes the immersion is as good as being on a sailing ship exploring new waters. Sometimes it’s tainted with magic and quarreling gods. And sometimes, it thrusts you in a dark, unpredictable cave where sight and soundContinue reading “Character Goes Deep in ‘Luminous Dead’”

‘Upright’ Lets Characters be Themselves

A few months ago, I read and loved Anna North’s Outlawed so much that it made me give the side-eye to Sarah Gailey‘s Upright Women Wanted because the premises have so many similarities. Both feature fierce young women who chafe against the bleakly misogynistic Wild West backdrop to the degree that their lives are threatened.Continue reading “‘Upright’ Lets Characters be Themselves”

‘Slow Fire Burning’ Lives Up To Its Name

When coupled with Gillian Flynn’s Gone Girl, Paula Hawkins and her smash-hit debut, Girl on the Train, is responsible for one of the biggest trends in recent literary history since Twilight brought us every variety of paranormal romances imaginable and then some. But instead of werewolves and vampires banging, we got a glut of thrillers, mostContinue reading “‘Slow Fire Burning’ Lives Up To Its Name”

‘Djinn’ a Magical Steampunk Tale

A while ago, I wrote about my love for P. Djeli Clark’s The Haunting of Tram Car 015 and how much I was looking forward to A Master of Djinn, the novel set in the same steampunk Egypt as the haunted tram car. There’s always danger in liking something, in looking forward to something. ThingsContinue reading “‘Djinn’ a Magical Steampunk Tale”

‘The Survivors’ Doesn’t Need Murder to Succeed (but it has that, too)

There’s no shortage of mysteries and thrillers set in small towns. That was basically the bread and butter of Masterpiece: Mystery for decades (not that I’m complaining), to say nothing of the dozens of murders Jessica Fletcher solved singlehandedly in her twee little Cabot Cove. Despite the proliferation of cozy mysteries, it’s rare that theyContinue reading “‘The Survivors’ Doesn’t Need Murder to Succeed (but it has that, too)”

Hench Asks Tough Qs Between Explosions

Everyone loves a good superhero story, according to box office figures. I used to be obsessed with the lore, Marvel, DC, and those weird, discount characters in tights and capes that someone invented with the sole purpose of getting a slice of that sweet superhero pie—I’m looking at you, The Cape (though to be fair,Continue reading “Hench Asks Tough Qs Between Explosions”

Vermilion is just really, really disappointing

I’ve been doing a pretty good job of getting the very oldest titles off my TBR, especially since starting this project. There are a few dusty, more obscure ones I’ve had trouble tracking down and had to wait until the ol’ budget was flush enough to make an order. Vermilion is one of those. IContinue reading “Vermilion is just really, really disappointing”

Can’t Shake the Underworld in ‘Harlem’

Morally gray characters are a special breed of protagonists (or antagonists). Their actions are one thing, but the reasons creators give for those actions are often far more interesting. In the case of Harlem Shuffle, Colson Whitehead keeps his main character’s reasons simple: money, and a racist social system set up against him. As easyContinue reading “Can’t Shake the Underworld in ‘Harlem’”