Despite Unevenness, ‘Deer Woman’ a Compelling Read

The disjointed nature between the flowing river of words and characterizations afforded Starr and those she comes into contact with versus the gravel pit given to the villains makes Deer Woman feel at times as though it had been written by two authors taking turns, or composed of two different manuscripts shuffled together.

‘Serpents’ a Solid Sequel in a Compelling World

Kate Pearsall’s debut, Bittersweet in the Hollow, was a solid and satisfying novel. With Lies on the Serpent’s Tongue, Pearsall delivers a strong second installment in what I hope will be at least a quartet of enchanting stories. 

‘Girl’ Ponders Trauma, Identity

The Girl Before Her feels less like a narrative than it does someone trying to work out where they’ve come from and how they ended up in their present place and as their present selves. The reader is a ghost over Papin’s shoulder as she turns herself, and her family, inside and out in search of answers.

‘Nest’ a Cozy Exploration of Monstrosity

It’s hard to pick a favorite element in this “cozy horror.” Is it the blood and gore? The love story? The neurodivergent or asexual rep? The family trauma? Somehow, it manages to be all of the above.

‘Red’ a Well-Crafted and Creepy Western

McBride’s utilization of all the elements of Weird Western really shines. From supernatural creatures to sinister humans to wild animals to the unfeeling wilds of nature, the threats are everywhere, and each is given due attention, all woven together to keep any single element from having all the fun—or bearing too much weight to make a satisfying story.