Lovely prose – Ring Reads

‘Hollow’ Full of Twists and Wise Restraint

Sullivan threads several tricky needles well in Brimstone Hollow, and that restraint helps her plot and characters shine.

‘Under the Falls’ Sticks to the Shallows

The cover to Richard Russo's Under the Falls has the author and title superimposed on an overhead photograph of a teenage boy in blue swim trunks diving backwards into water from a rocky bluff while other teens, also in swimming gear, crouch nearby.

Under the Falls sets up complex relationships, old hurts, clashing motivations, and a town full of secrets but doesn’t give them time to live up to the potential that’s well within Richard Russo’s wheelhouse.

‘Flower’ a Gripping, Sobering History

While the prose and structure is a nice read, there’s no making this subject matter go down easy. But then, forced family separation, rampant human rights violations, and elusive justice should never go down easy.

Half-Broken a Near-Future Tale of Hope

The cover of Ode to the Half-Broken, featuring a humanoid mech looking down at a cyborg dog while crumbling buildings tower above them both.

In the acknowledgements, Suzanne Palmer calls Ode to the Half-Broken a book with grief threaded throughout every page. But for a book about grief, it brings a hopeful message that’s sorely needed.

‘Japanese Gothic’ Bloody and Tender

The cover of Japanese Gothic, featuring a Japanese-style watercolor of a house surrounded by foliage, all in dripping black and red.

Baker’s pacing is quick enough, and the story compelling enough to keep the violence and characters’ hopelessness from bleeding too heavily into the reader.

In ‘Infamous,’ Minutiae Gives Meaning to Family Life

Painted portraits of five children peek out from torn antique-looking wallpaper with the title and author of the book in yellow cursive in the foreground.

The Gilberts and Thornwalk are fictional, but the equivalents in our own homes and families and lives aren’t. These bits and bobbles, these trinkets and signs of wear that mean nothing to anyone else and might not even mean a thing to ourselves but nevertheless bear aching witness to, well, life.

‘Magician’ A Pleasant, Low-Stakes Romp

The cover of The Magician of Tiger Castle, which features illustrated tigers among gold filigree around the edge of a dark-green background and the book's title and author.

Magician isn’t exactly a “cozy” fantasy, per se, but it didn’t seek to keep me on the edge of my seat in a way that was really nice, given the current geopolitical climate.

‘Fever’ a Layered Gothic Novel

The cover of Cape Fever by Naia Davids, on which the title and author are superimposed on what looks like peeling wallpaper, gold in color with branches and birds printed on it.

The growing closeness between Soraya and Mrs. Hattingh seems at first harmless, though this wouldn’t be a very good gothic novel if it stayed that way.

‘Before I Forget’ A Pleasantly Gentle Story of Forgetting

An illustration of a loon on a small bit of blue water is in the center of this otherwise tan-colored cover, which also features the title and author name in hot-pink sans-serif font.

Before I Forget is a sweet, swift read that focuses on the emotions surrounding memory and self, though it shies away from some of the gnarlier aspects of end-of-life caregiving.

‘Bug Hollow’ Gives Its Characters Nuance

The cover of Michelle Huneven's latest novel, Bug Hollow, featuring the title and author over a blurry, 1970s-era picture of a white girl in blue pants and a pink coat sitting in a blue station wagon and presumably her father loading suitcases while a woman walks from a house toward the car.

It’s easy to draw heroes and villains from the members of this family, but nuance is more interesting than caricatures, and Huneven gives each character plenty of shades of gray with little narrative judgement.