Fiction – Page 3 – Ring Reads

‘Bat Eater’ Brings New Fears to Pandemic Lockdown

A realistic-looking bat with flowers on its back and its wings outstretched flies diagonally across a black backdrop. The title, Bat Eater and Other Names for Cora Zeng, is in large white font in front of the image. Smaller and at the bottom in green text is the author, Kylie Lee Baker.

Bat Eater is a marvelous friendship bracelet of plot threads that sometimes take turns and sometimes work in tandem but are always engrossing, and all feel like facets of a terrifying and claustrophobic world.

‘Perspective(s)’ Gives Gossip Without the Guilt

A shadowy detail from a Renaissance-looking painting of a young woman's unsmiling face.

The epistolary nature of Perspective(s), along with the framing of the letters as centuries-old discoveries, blunt the unfolding of the unhappier plot elements, letting us sit back and relish the political intrigue.

‘Birth Canal’ a Kaleidoscopic View of Obsession, Trauma

The cover of Birth Canal, which features an untidy rectangular border of vines and flowers entangled around the title and author at the bottom of the cover on a background of orange in the center and purple at the edges.

The most fascinating thing with Birth Canal as a whole is its dizzying range of vibes that can be pulled out of a narrow cast of characters in a handful of places and only a couple of eras in history.

‘Heartwood’ Explores Questions Behind Headline

This is not a story of tricky plot devices and big reveals. Instead, it’s a portrait of a search for a missing person, and how it takes a community of professionals and amateurs, friends and strangers, to locate them.

‘Antidote’ Offers Dreamlike Path to Cure for Hard Times

A rainbow gradient cascades over a black-and-white photograph of an old farmhouse with a weather vane and farming equipment. The image is fuzzy, as though in the middle of a dust storm. The title and author (The Antidote, Karen Russell) are superimposed upon it.

As The Antidote reminds us, there’s no understanding a place, or its people, if there is no reconciliation with the most difficult parts of that person or place.

The Apocalypse Grows Strangely in ‘The Garden’

Flowers and greenery splay across a bubbled surface of glass or thin ice as a background to the title and author of Nick Newman's novel The Garden.

The Garden is as much about the testing, and mending, of a sisterly relationship as anything else. The apocalypse is merely a reason for their cloistering, and the reckoning they face with each other.

‘Beijing’ May Sprawl, but the Stakes are Personal

The cover of Beijing Sprawl, featuring an olive-green background and a series of about 17 bold-type "Beijing" stacked down like a deck of cards. "Sprawl" sits below the stack.

The stories within Beijing Sprawl aren’t cozy or happy, necessarily, but they feel like they capture a moment of life that will become nostalgic, and that growing nostalgia bleeds through the page.

Despite Unevenness, ‘Deer Woman’ a Compelling Read

The disjointed nature between the flowing river of words and characterizations afforded Starr and those she comes into contact with versus the gravel pit given to the villains makes Deer Woman feel at times as though it had been written by two authors taking turns, or composed of two different manuscripts shuffled together.

‘Death’ Asks Timely Questions with Robots

Death of the Author has a lot to say about art, its creation, and those who make it for us that is more relevant than ever.

‘Serpents’ a Solid Sequel in a Compelling World

Kate Pearsall’s debut, Bittersweet in the Hollow, was a solid and satisfying novel. With Lies on the Serpent’s Tongue, Pearsall delivers a strong second installment in what I hope will be at least a quartet of enchanting stories.