Not to judge a book by its cover or anything, but frankly I expected more robots in Becky Chambers’ Psalm for the Wild Built. I mean, there’s one on the cover, but you don’t even hear about a single robot until halfway through. That said, once I moved past my precious expectations, I found this PsalmContinue reading “‘Wild’ a Lovely ‘Psalm’ for the Discontent”
Tag Archives: Food for thought
‘Sisters’ Takes Sibling Closeness Too Far
Sibling relationships are such a tossup; they can be close and warm, they can be more or less indifferent, and they can be sharp and cruel. Some siblings manage to be all three at the same time. Sisters seem to magnify the intricacies of such relationships—and the heights and the depths possible within them. SoContinue reading “‘Sisters’ Takes Sibling Closeness Too Far”
‘Chouette’ is Strange, but Lingers
Claire Oshetsky’s new book, Chouette, has one of the strangest and most gripping beginnings I have ever read: “I dream I’m making tender love with an owl. The next morning, I see talon marks across my chest that trace the path of my owl lover’s embrace. Two weeks later, I learn that I’m pregnant. YouContinue reading “‘Chouette’ is Strange, but Lingers”
‘Quiet’ has Good ‘Bones’ but Problems, too
I’ve expressed feelings about unreliable narrators before, but each new book using it seems to change my opinion just a little—usually for good but sometimes for bad. Unreliable narrators can be a huge boon or bust for a thriller. I’ve thought about it for a while now, and I’m not sure which the unreliable narratorContinue reading “‘Quiet’ has Good ‘Bones’ but Problems, too”
‘Upright’ Lets Characters be Themselves
A few months ago, I read and loved Anna North’s Outlawed so much that it made me give the side-eye to Sarah Gailey‘s Upright Women Wanted because the premises have so many similarities. Both feature fierce young women who chafe against the bleakly misogynistic Wild West backdrop to the degree that their lives are threatened.Continue reading “‘Upright’ Lets Characters be Themselves”
‘Spy’ Too Compelling to Put Down
Every good spy story has coded messages, secret info drops, tense crossings of international lines, sordid love affairs, stakes of life or death and the threat of world war, and a few good turncoats. Ben McIntire’s The Spy and the Traitor has that and more—and perhaps most notably, is nonfiction. Oleg Gordievsky is a goodContinue reading “‘Spy’ Too Compelling to Put Down”
‘The Survivors’ Doesn’t Need Murder to Succeed (but it has that, too)
There’s no shortage of mysteries and thrillers set in small towns. That was basically the bread and butter of Masterpiece: Mystery for decades (not that I’m complaining), to say nothing of the dozens of murders Jessica Fletcher solved singlehandedly in her twee little Cabot Cove. Despite the proliferation of cozy mysteries, it’s rare that theyContinue reading “‘The Survivors’ Doesn’t Need Murder to Succeed (but it has that, too)”
Hench Asks Tough Qs Between Explosions
Everyone loves a good superhero story, according to box office figures. I used to be obsessed with the lore, Marvel, DC, and those weird, discount characters in tights and capes that someone invented with the sole purpose of getting a slice of that sweet superhero pie—I’m looking at you, The Cape (though to be fair,Continue reading “Hench Asks Tough Qs Between Explosions”
Can’t Shake the Underworld in ‘Harlem’
Morally gray characters are a special breed of protagonists (or antagonists). Their actions are one thing, but the reasons creators give for those actions are often far more interesting. In the case of Harlem Shuffle, Colson Whitehead keeps his main character’s reasons simple: money, and a racist social system set up against him. As easyContinue reading “Can’t Shake the Underworld in ‘Harlem’”
‘My Heart’ Cuts Like a ‘Chainsaw’
Typically the term “unflinching” is used when talking about works of Very Serious Fiction or Nonfiction (an even more serious genre than Very Serious Fiction), of which genre fiction like horror is not typically a part. But the more I read of Stephen Graham Jones’ work, the more I can’t get past that word asContinue reading “‘My Heart’ Cuts Like a ‘Chainsaw’”