Food for thought – Page 3

The Apocalypse Grows Strangely in ‘The Garden’

Flowers and greenery splay across a bubbled surface of glass or thin ice as a background to the title and author of Nick Newman's novel The Garden.

The Garden is as much about the testing, and mending, of a sisterly relationship as anything else. The apocalypse is merely a reason for their cloistering, and the reckoning they face with each other.

‘First Love’ Considers Friendship in its Many Forms

The title of the book (First Love: Essays on Friendship) and author name are superimposed on a photograph of three young fair-skinned girls, one of whom is the author, smoking and laughing on a fire escape.

While her takes on friendship may come from places of personal specificity, they nonetheless find broad resonance in how I think most of us have thought of friendship, even if unconsciously.

‘Horror’ Examines the Shadow of Genre – and Within

There’s no horror in a vacuum, Horror Movie seems to be telling us, and the way we ingest and interact with it says as much about us as the content itself.

‘Beijing’ May Sprawl, but the Stakes are Personal

The cover of Beijing Sprawl, featuring an olive-green background and a series of about 17 bold-type "Beijing" stacked down like a deck of cards. "Sprawl" sits below the stack.

The stories within Beijing Sprawl aren’t cozy or happy, necessarily, but they feel like they capture a moment of life that will become nostalgic, and that growing nostalgia bleeds through the page.

Despite Unevenness, ‘Deer Woman’ a Compelling Read

The disjointed nature between the flowing river of words and characterizations afforded Starr and those she comes into contact with versus the gravel pit given to the villains makes Deer Woman feel at times as though it had been written by two authors taking turns, or composed of two different manuscripts shuffled together.

‘Death’ Asks Timely Questions with Robots

Death of the Author has a lot to say about art, its creation, and those who make it for us that is more relevant than ever.

‘Girl’ Ponders Trauma, Identity

The Girl Before Her feels less like a narrative than it does someone trying to work out where they’ve come from and how they ended up in their present place and as their present selves. The reader is a ghost over Papin’s shoulder as she turns herself, and her family, inside and out in search of answers.

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