‘Grief’ a Multifaceted Examination of Sorrow

Crosley’s writing brings the events, and her emotions, to life, and helps make her every action and reaction reasonable, even, and especially, when she knows they’re not. It is that prose-level finesse, not the subject matter, that helps keep this slim volume feeling relevant even when it occasionally strays into self-indulgence.

Despite Unevenness, ‘Deer Woman’ a Compelling Read

The disjointed nature between the flowing river of words and characterizations afforded Starr and those she comes into contact with versus the gravel pit given to the villains makes Deer Woman feel at times as though it had been written by two authors taking turns, or composed of two different manuscripts shuffled together.

‘Serpents’ a Solid Sequel in a Compelling World

Kate Pearsall’s debut, Bittersweet in the Hollow, was a solid and satisfying novel. With Lies on the Serpent’s Tongue, Pearsall delivers a strong second installment in what I hope will be at least a quartet of enchanting stories. 

‘Girl’ Ponders Trauma, Identity

The Girl Before Her feels less like a narrative than it does someone trying to work out where they’ve come from and how they ended up in their present place and as their present selves. The reader is a ghost over Papin’s shoulder as she turns herself, and her family, inside and out in search of answers.

‘Chronicles’ An Intimate Look at One ‘Backyard’

It’s lovely and intimate to read such inner thoughts of another person. It’s intimate, too, to see Tan’s drawings improve over the years and the birds within them grow increasingly lifelike.

‘Believers’ a Timely Take on Tragedy

As The Great Believers shows, the familiar nature of tragedy doesn’t make it any less painful to experience. But as it also shows, the struggle to find joy and move forward even within such tragedy is a thing of beauty, too.