Friendship at Heart of ‘Tree. Table. Book.’

The moment of the younger Sophie’s realization is a hard one, and the elder Sophie has her own hard moments at present, and in the near future. Yet what does remain simple is the beauty of their unconventional friendship, and how common ground can erase years and miles and practically an entire life between them.

‘Beauty’ a Balance Between Ordinary and Sublime

This is a book of stillness, and a book of contemplation. It’s a book about appreciation, and of change. Life, broadly, is all of those things, and All the Beauty in the World shows the value in recognizing that a little more.

‘Milk and Honey’ a Chilling, and Luscious, View of the Near Future

While there is a clear moral to the story in the book’s final chapter, Zhang writes deftly to keep any of her characters from being clear cut. The messiness in turn reveals truth: that when the chips are down, human instinct and that of crabs in a bucket are largely the same.

‘Fire’ a Rich Historical Tragedy with a Glimmer of Hope

The four point-of-view characters do all give us a different view of the disaster. It’s a testament to Beanland’s writing and research that the characters all feel so human, and the world around them so real.

‘Butcher’ a Fairy Tale of Trauma

The trauma at the heart of The Butcher is something wound as tightly around every detail as tightly as ivy on a tree. There’s a difference between surviving something and coming back whole, Veris notes early in the book, and it becomes increasingly clear that she’s the one who hasn’t been the same since.

‘Fox Wife’ A Magical Tale of Revenge (Really)

As the various plotlines come together, the story does verge on zany, but successfully toes the line. And for a story that started with death and revenge, I was happy to allow Choo some coincidences (or, perhaps, twists of fate) to lead the characters to an improbably happy ending.