Would read again – Page 2 – Ring Reads

‘Creek’ a Spooky Summer Tale of Grief and a Curse

A painting of semi-stagnant water with leaves and grasses on it. In the background, we see bones floating (skull, what looks like a tibia, what could be an ulna). In the foreground, a white teenage girl with wet medium-brown hair has half of her face above the water, as if she's about to stand up or go under. The reflection in the water is of a skull.

In the same way grieving is often harder on anniversaries and holidays—times when things feel the same as always except for the loved one’s absence—Glory’s haunting of the titular town feels perfectly fitting in a metaphorical sense well before it becomes literally true.

‘Nightmare Box’ Tinged With Real-Life Horror and Fictional Justice

A bright yellow background with a pair of brown hands lifting a blue lid on a pink box. Monstrous eyes peer out from within while black goop drips down the side of the box.

There are few happy endings in The Nightmare Box, though it does seem that Gómez intentionally left off on one of the more optimistic stories—an unexpected choice but one that ultimately informs the way we leave The Nightmare Box: Fully aware of the horrors, but pressing forward nonetheless.

‘Sounds’ a Captivating Journey of Music and Devotion

The cover of Between Two Sounds, featuring a simply drawn adult Arvo leaping from a precipice, implying that he is jumping to the next sound. Arvo and the precipice are in black, while the background is in simple strokes of tan and brown. The title is in the upper left-hand corner, with the author in the lower-left corner.

This is not a story of the Soviet Union versus Arvo Pärt, but about an authoritarian regime demanding performative patriotism against those who have far more interesting things to think about.

‘Bat Eater’ Brings New Fears to Pandemic Lockdown

A realistic-looking bat with flowers on its back and its wings outstretched flies diagonally across a black backdrop. The title, Bat Eater and Other Names for Cora Zeng, is in large white font in front of the image. Smaller and at the bottom in green text is the author, Kylie Lee Baker.

Bat Eater is a marvelous friendship bracelet of plot threads that sometimes take turns and sometimes work in tandem but are always engrossing, and all feel like facets of a terrifying and claustrophobic world.

‘Birth Canal’ a Kaleidoscopic View of Obsession, Trauma

The cover of Birth Canal, which features an untidy rectangular border of vines and flowers entangled around the title and author at the bottom of the cover on a background of orange in the center and purple at the edges.

The most fascinating thing with Birth Canal as a whole is its dizzying range of vibes that can be pulled out of a narrow cast of characters in a handful of places and only a couple of eras in history.

‘First Love’ Considers Friendship in its Many Forms

The title of the book (First Love: Essays on Friendship) and author name are superimposed on a photograph of three young fair-skinned girls, one of whom is the author, smoking and laughing on a fire escape.

While her takes on friendship may come from places of personal specificity, they nonetheless find broad resonance in how I think most of us have thought of friendship, even if unconsciously.

‘Serpents’ a Solid Sequel in a Compelling World

Kate Pearsall’s debut, Bittersweet in the Hollow, was a solid and satisfying novel. With Lies on the Serpent’s Tongue, Pearsall delivers a strong second installment in what I hope will be at least a quartet of enchanting stories.

‘Headshot’ Fast-Moving but Hard-Hitting

Most of the boxers’ stakes in Headshot are drawn from the most ordinary of things, which gives the world inside the book more authenticity and the world outside it a reminder of its import.

‘Unmothers’ Sings Thanks to Subtlety

Most characters within The Unmothers grapple with some kind of emotional fracturing; what’s more interesting is seeing how each responds. The nice thing is that the creeping thing in the fog finds all flavors of grief delicious.

‘Woods’ More Human Nature than Thriller

In The God of the Woods, Moore isn’t concerned with crafting a whodunnit so much as a careful sketch of a far more human story.