‘Serpents’ a Solid Sequel in a Compelling World

Kate Pearsall’s debut, Bittersweet in the Hollow, was a solid and satisfying novel. With Lies on the Serpent’s Tongue, Pearsall delivers a strong second installment in what I hope will be at least a quartet of enchanting stories. 

‘Unmothers’ Sings Thanks to Subtlety

Most characters within The Unmothers grapple with some kind of emotional fracturing; what’s more interesting is seeing how each responds. The nice thing is that the creeping thing in the fog finds all flavors of grief delicious.

‘Nest’ a Cozy Exploration of Monstrosity

It’s hard to pick a favorite element in this “cozy horror.” Is it the blood and gore? The love story? The neurodivergent or asexual rep? The family trauma? Somehow, it manages to be all of the above.

‘Chronicles’ An Intimate Look at One ‘Backyard’

It’s lovely and intimate to read such inner thoughts of another person. It’s intimate, too, to see Tan’s drawings improve over the years and the birds within them grow increasingly lifelike.

‘Red’ a Well-Crafted and Creepy Western

McBride’s utilization of all the elements of Weird Western really shines. From supernatural creatures to sinister humans to wild animals to the unfeeling wilds of nature, the threats are everywhere, and each is given due attention, all woven together to keep any single element from having all the fun—or bearing too much weight to make a satisfying story.

‘West’ Ponders History Through Poem and Essay

West isn’t, and cannot be, an all-encompassing history of a time and place, but it is a fascinating and weighty addition to a more comprehensive view of the region that millions of us call home.