‘Ocean’ a Sea of Possibilities in Space Opera

Ocean’s Godori is pitched as Becky Chambers meets Firefly. I suppose the description fits—a strong found family, political intrigue in space, a scrappy crew upon a scrappy vessel. But Cho has crafted something far more special than a simple mashup.

‘Milk and Honey’ a Chilling, and Luscious, View of the Near Future

While there is a clear moral to the story in the book’s final chapter, Zhang writes deftly to keep any of her characters from being clear cut. The messiness in turn reveals truth: that when the chips are down, human instinct and that of crabs in a bucket are largely the same.

‘What the Dead Know’ a Pensive Look Back at Life and Death

What the Dead Know is about a lot of difficult stuff, and Butcher doesn’t shield us from the gore. But she does wisely keep it tastefully select in its details, delivering realness without exploitation.

Wishes get Colonized and Corporatized in Shubeik Lubeik

The repercussions from wishes are negligible for the haves and devastating for the have-nots. Following the rules is detrimental for some, and far outside the sphere of concern for others. As with many things designed to “make life better”—technology, say, or medicine—the artificial scaffolding around wishes exacerbate, rather than reduce, inequality in the society they occupy.

‘Misfit’ Gives Nuance, Not Blank Checks, to Queer Mystery

Whether or not she finds the understanding or acceptance she’s looking for, Parks’ work highlights a small life, an overlooked life, and gives nuance to a community that may not have intended to give any but couldn’t wholly turn away from a good-hearted person who was plainly mistreated and misunderstood by too many around him.

‘Cassandra’ a Journey in Time Travel and Self Acceptance

Cassandra’s is captivating story about the benefits and costs of being able to do-over the rougher parts of your day, and about accepting yourself for yourself, no matter who you happen to be.

‘Fire’ a Rich Historical Tragedy with a Glimmer of Hope

The four point-of-view characters do all give us a different view of the disaster. It’s a testament to Beanland’s writing and research that the characters all feel so human, and the world around them so real.

‘Butcher’ a Fairy Tale of Trauma

The trauma at the heart of The Butcher is something wound as tightly around every detail as tightly as ivy on a tree. There’s a difference between surviving something and coming back whole, Veris notes early in the book, and it becomes increasingly clear that she’s the one who hasn’t been the same since.