Restraint Helps ‘Killers’ Avoid Exploitation

There are a few key ingredients to many a good thriller: domestic intrigue, large sums of money, poison, explosions, conspiracies, a sympathetic victim at the center, and a dedicated investigator determined to get to the bottom of it all. And a good twist or two. Can’t forget the twists. David Grann’s Killers of the Flower MoonContinue reading “Restraint Helps ‘Killers’ Avoid Exploitation”

Bigfoot and Big Scares in ‘Devolution’

One of the greatest, most terrible, most amazing parts about reading is when you find yourself absolutely immersed in a book and nothing—not responsibilities, relationships, or reasonable bedtimes—can draw you out of it. Which is why I was flipping ebook page after ebook page at 1:30 a.m. as I raced to reach the end ofContinue reading “Bigfoot and Big Scares in ‘Devolution’”

Rolling Waves of Lovely Prose Propel ‘Find’

There’s a dreaminess from The Ones We’re Meant to Find, even from the very cover, all soft edges and rolling waves. That sense never really lets up—even though it gets considerably more complicated in the middle—and in the end the yearning and saltwater mean as much, or more, than before. It’s a lovely exploration intoContinue reading “Rolling Waves of Lovely Prose Propel ‘Find’”

‘Moonflower’ Has Double the ‘Murders’

There’s a particular brand of murder mystery that’s tough to replicate: a quaint little town in England whose residents hide secrets behind the shutters of their neat little cottages, and when blood is spilled, a twee investigator from the outside comes to expose those secrets one by one. Anthony Horowitz may not have invented theContinue reading “‘Moonflower’ Has Double the ‘Murders’”

‘Tram Car’ More Fun Than ‘Haunting’

The fact the main characters are bored with a haunted, semi-sentient, magically propelled tram car in 1910s Cairo is a pretty good indication of things to come in P. Djeli Clark’s The Hunting of Tram Car 015. This slim novella may be a little light in character development or narrative indulgence, but packs in aContinue reading “‘Tram Car’ More Fun Than ‘Haunting’”

Let ‘Riverland’ Take You Away

One thing every lonely kid has is some imaginary escape to another, more magical, usually safer world. (Maybe not-lonely kids have this, too, but I can’t speak to that.) Mine was a copse of trees choking the side of a road far away enough from anyone who cared that they were allowed to grow thickContinue reading “Let ‘Riverland’ Take You Away”

‘The Golden Age’ Glitters

I have waxed long about my pure and ardent love of graphic novels, about the interplay between picture and words creates a new depth to storytelling and how seeing multiple interpretations of the narrative on the page prompts me to be more engaged in my own reading of it. I make no apologies for suchContinue reading “‘The Golden Age’ Glitters”

‘Halfway’ Hits Home with Prison Discourse

Crime and poverty are so frequently lumped together, as are race and crime, making a sort of trifecta of bad circumstances that can really hold a person back—or worse, as we’ve seen with so many cases of police violence. But it’s worse than that, argues Reuben Jonathan Miller in his new book Halfway Home: notContinue reading “‘Halfway’ Hits Home with Prison Discourse”

Get ‘Lost’ in These Four Cities

According to the U.S. Census, over 80% of the country’s population lives in urban areas—and it’s even higher for Puerto Rico and other territories, where urban living is well over 90%. It didn’t always used to be this way, but the world is marching toward a far more urban future than our ancestors could haveContinue reading “Get ‘Lost’ in These Four Cities”

‘Klara’ Shines like the Sun

There are many things Kazuo Ishiguro does brilliantly, but one he does perhaps most uniquely—especially as we move past the glut of thrillers using Gone Girl and/or The Woman On The Train as a comp title—is create a thoroughly unreliable narrator. Unlike the tipsy or mentally ill women who have largely come to define theContinue reading “‘Klara’ Shines like the Sun”