Food for thought – Ring Reads

‘Before I Forget’ A Pleasantly Gentle Story of Forgetting

An illustration of a loon on a small bit of blue water is in the center of this otherwise tan-colored cover, which also features the title and author name in hot-pink sans-serif font.

Before I Forget is a sweet, swift read that focuses on the emotions surrounding memory and self, though it shies away from some of the gnarlier aspects of end-of-life caregiving.

‘Captain’s Dinner’ Focuses on Legal Drama, Not Cannibalism

The cover to Adam Cohen's Captain's Dinner, which features the title, subtitle, and author on a detail of what looks like an 18th-century painting of four men in a rowboat on choppy sea with dark clouds overhead.

There’s a delicacy in writing about history. For one thing, having the benefit of knowing the end of a series of events from the beginning makes it easy for us to criticize the actions of those who lived it. It can be tricky, too, to not overlay the norms and expectations of today to thoseContinue reading “‘Captain’s Dinner’ Focuses on Legal Drama, Not Cannibalism”

‘Lost Souls’ Examines Love and Grief in Many Forms

A large bubblegum-pink moon sits in the background amidst a dark blue sky. Partially covering it are golden clouds and a large cloud-like shape in black that evokes a tear between worlds. In the lower right-hand corner is a small illustration of a bicycle.

Each seeker of these meetings into the afterlife represent relatable facets of grief, and love, letting the book, and reader, consider these emotions in many ways.

‘Heat’ Examines Food in Multifaceted Way

Cover of If You Can't Take the Heat: Tales of Food, Feminism, and Fury, which features a bubblegum pink background with red and white lettering of title and author on the top and bottom. In the center is the red-manicured hand of a slender white woman crushing a white-glazed pastry with a maraschino cherry on top.

Food is nutritional, but it’s also cultural, spiritual, creative, historical, and meaningful in a hundred different ways. Geraldine DeRuiter reminds us with humor and heart that the way we interact with it is just as varied and meaningful, too.

‘Ghost Fish’ a Slim Novel with a Punch

The cover of Ghost Fish, featuring the title above and the author below an image of an orange-ish fish diving into teal-and-orange waters.

Opening up this slim novel gives the feeling of unknowingly sinking into cool, deep water; closing brings you back to the surface, gasping for air.

‘Alchemy’ Is As Sweet As Its Flowers

The cover of The Alchemy of Flowers, featuring a large keyhole containing the title and author name, which is surrounded by dark florals.

Resau’s descriptions are lush, making the scent of jasmine or lavender, the feel of a refreshing stream, or the taste of a character’s cooking almost come off the page (or the phone screen).

A Son Grieves and Reflects in ‘Adrift’

Adrift is a story about getting to know another part of someone after they’ve passed on, about discovering more about someone you thought you knew through and through and being unable to ask them about it.

‘Call Me Emma’ a Journey of Self-Discovery Amid Tougher Teenage Years

Call Me Emma is ultimately a story about identity, both who we choose to be and who the world will supposedly accept. It’s one of those apparently universal parts of growing up, but here, it’s more obvious than most.

‘Bat Eater’ Brings New Fears to Pandemic Lockdown

A realistic-looking bat with flowers on its back and its wings outstretched flies diagonally across a black backdrop. The title, Bat Eater and Other Names for Cora Zeng, is in large white font in front of the image. Smaller and at the bottom in green text is the author, Kylie Lee Baker.

Bat Eater is a marvelous friendship bracelet of plot threads that sometimes take turns and sometimes work in tandem but are always engrossing, and all feel like facets of a terrifying and claustrophobic world.

‘Birth Canal’ a Kaleidoscopic View of Obsession, Trauma

The cover of Birth Canal, which features an untidy rectangular border of vines and flowers entangled around the title and author at the bottom of the cover on a background of orange in the center and purple at the edges.

The most fascinating thing with Birth Canal as a whole is its dizzying range of vibes that can be pulled out of a narrow cast of characters in a handful of places and only a couple of eras in history.