‘My Murder’ A Critique of Lurid Interest

True crime may be alluring, but Williams doesn’t mince words when it comes to who makes the most alluring victim, even in the future. The victims are all fair, fairly young, and fairly attractive, and everyone is fully aware of how narrow a demographic the victims here represent.

‘Crane Husband’ a Critical Look at Love, Art

The Crane Husband is a meditation on responsibility and art and what love actually means, and so beautifully written that even with material like this you may still feel that you could fly away when you reach the end.

‘Rose House’ Chilling in its Plausibility

This is not a horror novel, but its premise manages to be spine-tingling for the picture it paints—not bleak, exactly, but pragmatic to the point of irrationality, yet difficult to argue with.

‘The Facemaker’ Revives a Forgotten History

Reading The Facemaker also feels like an act of witnessing something that shouldn’t have ever been forgotten. We did this to ourselves, from the standpoint of humanity, and over a hundred years later, we haven’t stopped. 

‘Killers’ a Romp with a Razor-Sharp Edge

Killers of a Certain Age is a book about aging and killers and betrayal, but its heart is oddly wholesome and comforting. While I wouldn’t call this a cozy read, it’s one that makes me look at the people around me a little more positively—and at the objects around my house as so many potential murder weapons.

‘American Summer’ A Nuanced Portrayal of Trauma, Humanity

While An American Summer can be hard to read at times, it’s not hopeless. Nor are the people Kotlowitz writes about reduced to stereotypes. Rather, he has clearly taken the time to build the relationships that foster vulnerability.